The sound effects originally used frequently in the studio. In the mid-1940s, engineers and experimental musicians such as Les Paul began handling reel to reel recording echo effects, and unusual, futuristic sound to be created. ("Sound") techniques for positioning the microphone in the room with acoustic properties that are designed specifically to simulate the echo chamber.
Distortion does not affect the time it was originally intended by the manufacturer of amplifiers, but sometimes it can be easily used by tube amp "clipping" of the electricity supply in the early years. Johnny Burnette and guitarist Willie Johnson were among the first to realize their profits grow beyond its target to get the distortion sound "hot". Dave Davies of the Kinks was a doctor for his amplifier speakers efek2 using a razor blade to produce a rougher sound of the guitar on the song 1964 "You Really Got Me." In 1965, Marshall began selling Marshall Amplification in 1959, making guitar amplifiers capable of warm colors and distorted "crunch" on Ng-rock musician really.
Stand-alone effect in the 1950's and early 60's that the unit VI GA Gibson and Fender vibrato reverb box, which is costly and impractical to require large transformers and high voltage. Stand-alone units Ahirnya more consumer demand, the effects are present together in an amplifier. The popular first stand-alone is Copicat 1958 Watkins, relatively portable tape echo effects by the popular British group The Shadows.
Electronic transistors can finally fill the creativity of the studio sound more simple pedal machine ultra-portable. Transistors replaced vacuum tubes, allowing a more compact size and stability. In the history of the transistor Tone Maestro first effect pedal fuzz guitar in 1962, the feeling after use in a 1965 Rolling Stones hit "(I can not Get No) Satisfaction" was.
Warwick Electronics wah the first McCoy, Clyde, 1967 and years to produce Roger Mayer published the first octave effect, Octavia, 1968, begins with the marketing Univox Uni-Vibe pedal, an effect of audio engineers, Fumio Miedes designed mimics the effect of phase shift and the choir odd Leslie rotating speaker used in the Hammond organ. Effects pedals soon a popular guitarist, Jimi Hendrix and Robin Trower. At the first hearing, Octavia, Hendrix would have rushed back into the studio and use it immediately with a guitar solo from "Purple Haze" and "Fire" record. In the mid-1970s, a variety of semiconductors, including Flanger effects pedals, chorus pedals, ring modulators and phase shifters were available.
In the 1980s, began rackmount units to replace numerically the effect of ground effects as the format of your choice. Often the musicians will be a "dry", following changes in the studio and the effects will be added post-production. The success of Nirvana in 1991 helped ignite interest Nevermind album pedal FX. Be conducted in the 1990s, musicians engaged in a "lo-fi" J Mascis aesthic like Dinosaur Jr., Pavement's Stephen Malkmus and Robert Pollard sound effects works with non-digital (analog) of the pedal effects.
Types of securitiesWhile there is currently no consensus on how to categorize the effects, here are six general classifications. Dynamic, time-based, get sound, filter, pitch / frequency and feedback / standing.
1.Dynamics
a. A vintage tremolo Guyatone VT2Increase Cleen / Volume Pedal: gusts CLEEN strengthen the instrument by increasing the volume of certain aspects of the output electrical signal. This unit is often used to "boost" the volume during a solo and prevent loss of signal in the "chain effect" used for long. A guitarist passes the guitar rhythm guitar, use a clear boost to increase the volume of his solo.
b. Effects Volume: MXR Micro Amp, Fender volume pedal.Preamplifier microphone: A microphone preamplifier or "preamp" is a device that increases the output voltage is a low microphone to some degree, and is used by devices such as mixers and headphones. Micro also offers some additional resources (eg, phantom power) for condenser microphones.
c. Compressor: Compressors stabilize the volume and softens the "attack" by removing the start of training and reinforcing effects to get erect. Compression is achieved by varying the thickness (ie, "gain) signal to ensure that the volume of the order of the specific dynamics are attained. Compressor can also function as a limiter for extreme settings of these controls.
d. Compressor Effects: Boss CS-3, Keeley Compressor MXR Dyna Comp.Tremolo: A tremolo effect produces variations, a little faster in the volume of the note or chord. Tremolo usually a "level" that the player can change the speed variation. "Tremolo" effect should not be confused with the "tremolo bar" name is misleading, a device on a bridge of guitar players can create the vibrato effect "pitch bend". Guitar intro to the Rolling Stones "Gimme Shelter" is a feature, tremolo effect.
E. Tremolo: Fender Tremolux, Roger Mayer Voodoo Vibe.
Second SoundA. Distortion and Overdrive: distortion and overdrive units distorts the sound of the instrument by a "tone" that sound "hot". To the sound of "dirty" or "grainy" sound, change the audio unit by redesigning the sound waves or "clipping" so they have a flat top of the mesa-like slightly curved. In a tube amp, the distortion created by the compression of the electrical signal of the instrument in the vacuum tube, or "gates." In digital cameras, this effect is transient or computer chip simulation. The distorting effects of different overdrive to produce about the same amount of distortion at any volume. Overdrive unit, produced on the other side "Cleen" low volume and the sound is distorted at high volumes.Distortion and Overdrive Effects: Boss DS-1 Boss MT-2 Metal Zone, Electro-Harmonix LPB-1, Ibanez Tube Screamer, Marshall Shredmaster, MXR Distortion +, Pro Co Rat.
b. Fuzz: A fuzz or "Fuzzbox" is a kind of overdrive pedal that attaches to the sound waves is almost square, causing a serious distortion or "fuzzy".The Rolling Stones "(I can not Get No) Satisfaction" greatly popularized the use of this fuzz effect.Fuzz Effects: Electro-Harmonix Big Muff, Arbiter Fuzz Face, Maestro Fuzz-Tone, Tone Bender Vox, Univox Super-Fuzz, Z. VEX Fuzz Factory.
c. Noise Gate Gate "buzz" cut "Hiss" and "static" by eliminating the noise below a certain threshold. This reduces noise and other sounds that are in the unit (the unit to the "lo-fi" is the opposite, adding noise, hiss and static) will. When used with extreme settings with reverb, is unusual noises, such as the effect was closed is to create pop songs used in the 1980s, popular in the style of Phil Collins song "In the Air Tonight"Lo-Fi Lo-Fi hiss mimics the effect of static, and the quality of the deep tone of vintage analog electronics
3.Filtera. Equalizer: EQ is a series of filters ("Boost") to strengthen or weaken ("cut") a certain frequency regions. Often have a stereo equalizer to adjust bass and treble engineers use sophisticated equalizer to eliminate unwanted noise in the instrument or voice is more important, and improving some aspects of the sound of an instrument.
b. Talk BoxesTalk boxes: a box talking heads the sound of the guitar or the synthesizer in the mouth of a player who can go to the sounds into vowels and consonants. Sounds of change is then picked up by microphones. In this way, the guitar is to "speak" of the situation. Some famous artists such as Bon Jovi use Talkbox "Living on a Prayer", Stevie Wonder, "Black Man" and Peter Frampton "Show Me the Way".Talk Box: Dunlop HT1 Heil Talk Box, Rocktron Banshee.
c. Wah: wah-wah pedal vocal sounds, for example by changing the frequency spectrum by the instrument, how difficult it is at all times in a separate frequency to create slide shows known as spectral. The device is a foot pedal to open and close you run the potentiometer. Wah guitar used by the funk and psychedelic rock.Wah: Dunlop Cry Baby Wah Morley Power Boost, Mu-Tron III musitronics, Z. VEX Seek Wah.
d. De-essing De-esser filter out high frequency sounds through the hissing consonants like "s", "z" and "sh" is generated to record the human voice.
Pitch / Frequencya. Chorus: Chorus pedal mimics the effect of "phase lock" of course, by the choir and string orchestra when its product line up with very little difference in tone and pitch of the other. An effect chorus divides the unit to an amplifier of electrical signals, a low frequency variation or "vibrato" for the signal while the rest do not change with the extreme setting. Chorus effect can produce a sound, "Spacey". Famous the use of "Spacey" is the guitar lead guitar lead in "Come As You Are" by Nirvana.Chorus: Boss CE-1 Chorus Ensemble, Electro-Harmonix Deluxe Memory Man, Electro-Harmonix Electric Mistress, Roger Mayer Voodoo Vibe, TC Electronic Stereo Chorus.
b. Flanger: flanger produces "jet" or "space", simulating the effects studios, produced by the edge of the drum audio tape ("lead") to temporarily slow down the recording. Flanger version adds variable delay to the original sound, creating a comb filter. Some use the flanger effects, including the famous "Walking on the Moon" by police and "Barracuda" by Heart. [58] [59]
Flanger Effects: Electro-Harmonix Electric Mistress, MXR Flanger.
c. Phase Shift: A phase shifter creates a small splash reinforcing effects of certain aspects of tones, while others are reduced. by sound waves out of phase to duplicate the original sound wave. The phase shift is popular in the 1970s, are two good examples of the keyboard to Billy, "Just The Way You Are" and Paul Simon's "Slip Slidin 'Away". [60]The Electro-Harmonix pedals PTA can not pass an input signal down an octave or an octave or two.
Phase shift effects: Electro-Harmonix Small Stone, MXR Phase 90, Phaser Roland AP-7 Jet.
d. Harmonizer and Pitch Shifter: A pitch shifter to increase or decrease (eg, "transposed"), each note of a player with a predetermined interval. For example, increasing pitch shifter with the fourth field of the four diatonic intervals above the actual notes played increase tone. Increase or decrease the tone pitch shifter to one or two octaves, while the more sophisticated devices that offer a variety of changes at the break.
e. shifter Harmonizer field is the type, height, height, containing the original is a harmony of two or more notes to create change. Some effects such as chorus hamonizers measure, by creating very small changes in height.Pitch Shift Effects: Electro-Harmonix POG, Digitech Whammy Roger Mayer Octavia.
f. Ring Modulator: ring modulator's output resonance / resonance of the metal by the waves generated by the mixture of the tool with the waves generated by the internal oscillator of the device generates signals to produce a rich sound. An important use of the ring modulator is a guitar in the song Black Sabbath "Paranoid".Ring-modulator effect: Moog MF-102 Moogerfooger.
g. vibrato: Vibrato effect produces variations of light and fast pitch, imitating the sound of the broken variant is produced naturally extend from the opera singer, violinist and now a note. Vibrato often allow players to the degree of variation and the differences in height (for example, "depth") to control. Vibrato in "depth" of the extreme (eg half a week / or more sounds) will produce the sound, dramatic ululations. Guitarists often use the term "vibrato" and "tremolo" is misleading. so-called "vibrato unit" in a guitar amp tremolo actually occur while creating the "tremolo arm" or "whammy bar" on the guitar vibrato.
h. Harmonic Exciter: A harmonic excitation or "Aural Exciter" or "psycho-acoustic excitation", adding subtle tones with upper midrange and treble [disambiguation needed] Part of her. Harmonic Exciter most commonly used in post-production stages of recording, or by a vowel or with the whole song. This effect has been developed in the mid-1970s to increase the "brightness" reel to reel recording, clarity compression or repeated overdubs lost.
Time-based
Fold lines buzzing device that uses springs.a. Delay / Echo: Delay / Echo unit produces an echo effect by creating a double electric instrument signal amplifier to the original signal within a short time. The effect could be a "slap" or "slap" or echo. User ", where the streets have no name." [66]Delay Effects: Boss DM-2 Delay, Boss DD-3 Digital Delay, Electro-Harmonix 16 Second Digital Delay, Electro-Harmonix Memory Man, Line 6 DL4 Delay Modeler MXR Carbon Copy.
b. Reverb: Simulates the sound in space through the creation of a large number of echoes of echoes, which gradually fade or "decline" is generated. A plate reverb system uses an electromechanical transducer to create a vibration in a plate reverb. Spring Reverb system, which is often used in guitar amplifiers use a sensor to a vibration in the spring (spring noise) to create. Reverb algorithms with digital signal processing to produce a variety of reverb effects often associated with delay circuits comments. Rockabilly and surf guitar are two kinds, the use of reverb. [67]
Reverb: Reverb Unit Fender.
c. Looper Pedals: Looper pedal or "Phrase Looper" allows players to capture and pause or play a song. Loops can be created during the show or they can be pre-registered. On some units, the player in a loop a few times. The first loop effects are created with the tape reel to reel tape with a loop. Effects of high-end store loop tapes are still a number of studios, used meinginkan vintage sound. Digital Loop to create effects in this direction with the help of an electronic memory.Effect Looper Boss Loop Station Pedal RC20XL, Line 6 DL4 Delay Modeler Pedal and Loop Sampler.EBow allows a guitarist to keep notes.
Comments / sustaina. Audio comments: Your comments are the sound effects produced when its profits were picked up and reproduced by the microphone amplifier, creating a "feedback loop". Reaction pioneering work of guitarists like Jimi Hendrix, is produced by the instruments in front of the amplifier, set the volume too high. The technology is relatively primitive tendency to make high-pitched sound and can be difficult dipertahankan.s
b. The EBow, Pick Pocket strings / drivers to vibrate with a small induction chains guitar battery, which are sounding durable. Tools such as resonator guitar, Sustainer and Provider Sustainiac Fernandes vibrating electrically generated comments ("drive") gitarbernada chain while minimizing the higher the tone and the sound itself.
Many compressor pedal is often referred to as "Sustainer Pedals" As a note, which is maintained, loss of energy and volume as it sells the reduction of vibrations in the string. Compressor pedal to increase the range of the electrical signal dynamic defined, easy to extend the term of the note.
Other effectsa. Simulator: Simulators provide an electric guitar to imitate the sound of other instruments such as acoustic guitar, electric bass and sitar. The simulators are used to make a guitar with single coil pickup sounds mimic humbucker guitar with a pick-up-versa, or vice. A de-Fretter is an effect that simulates the sound of fretless bass. The effect of the voltage amplifier and envelope controlled filter is too "soft" attack a note, both in volume and timbre.
b. Envelope Follower: An envelope follower can be made once the designated band. An effect with envelope follower is "auto-wah," the effect of "wow" produced depending on how hard or soft you play notes.
c. Guitar Amp Modeling: Modeling an amplifying effect that the range of digital audio amplifiers, the most common analog "tube" amp is modeled. sophisticated simulation modeling of the effects of speaker and microphone techniques. Simulator rotary speaker sound system mimics the Doppler volume by replicating vintage Leslie speaker and modulation of pitch, the ability to overdrive and phase shift.
d. Pitch Correction / voice effects: both effects Pitch Correction Correction / field with signal processing algorithms-tune-intonation of the correction of errors in the singing performance.
e. filters and effects, synthesizers: Moog MF-105 Moogerfooger pedals as MURF provides some of the filters and buttons to control the modulation envelope. The MF-107 uses FreqBox the input signal to a set internal VCO.
Pedal Shopa. Brand T-Rex pedal "Mudhoney" OverdriveDesigned with boutique pedals independent small business and is usually produced in small quantities. Some have even possible by hand. Pedal is distributed primarily online or by mail order or sold in music stores, often more expensive than mass produced pedals and offer non-standard features such as true bypass switching, high-quality components, design innovative and are hand-painted work of art. Some companies store focused on leisure classic and vintage effects.Some manufacturers of boutique pedals include: AnalogMan, Devi Ever, Pete Cornish, Lovetone, Metasonix, Robert Keeley, Z. VEX effects, the T-Rex Engineering.
b. Device effect modificationThere is also a niche for modifying or "modding" effect. Generally, vendors provide both custom modification services or sells new stompbox effects, which are the Ibanez Tube Screamer, Boss DS-1 have changed, the effects DigiTech Whammy ProCo Rat and change some of the most common. General Modifikai include changes in the value of the capacitor or a resistor, adding a true bypass circuit for the effect of replacement are no longer in the signal path, the high quality components, instead of 'original unity of the operational amplifiers (op amps), or add They add functionality, such as equipment or adding additional control of an additional output.Tributes by musiciansThe garage rock cover band The Fuzztones, seen here at a concert in Barcelona, a name (leaves) has, after a member fuzz effect until 1960 - at a time when the Fuzz (The Fuzztones) .
Effects and effects processors, pedals in particular. He was full of pop and rock musicians in the album title, song name and band life. The Electro-Harmonix Big Muff classic Fuzzbox be established, with the song "Big Muff" and the EP Superfuzz bigmuff Mudhoney said.Words (text) for the Super Furry Animals "Play It Cool" Electro-Harmonix pedals, while others remain silent. The Electric Mistress Flanger. The Nine Inch Nails song "Echoplex" is, after the old songs Maestro unt.lagu echoes others that have references to the effect of "Interstellar Overdrive" by Pink Floyd, "Wah-Wah" by George Harrison includes the title and "Stomp Box" They Might Be Giants. Joy Division "Digital" was inspired by Hannett engineer / producer Martin, AMS digital delay unit. We have a Fuzzbox and we're going to use was an all-female British group since the 1980s and the Fuzztones are a garage rock band 1980
c. Other pedals rack unitsNot all database tables and effects pedals. Tuning a guitar pedal indicates whether the string is too high or too low. Fußschalterpedals as a guitar pedal routes the signal "A / B" to the amplifier or allow players to switch between two guitars. Guitar amplifiers and electronic keyboard allows you to change the power over life and death on the integrated effects with the footswitch. Some of the musicians who employs a rack or stompbox effects of the mobile MIDI controller sampled sounds, or between different effects, the effect of setting the timer.
Distortion does not affect the time it was originally intended by the manufacturer of amplifiers, but sometimes it can be easily used by tube amp "clipping" of the electricity supply in the early years. Johnny Burnette and guitarist Willie Johnson were among the first to realize their profits grow beyond its target to get the distortion sound "hot". Dave Davies of the Kinks was a doctor for his amplifier speakers efek2 using a razor blade to produce a rougher sound of the guitar on the song 1964 "You Really Got Me." In 1965, Marshall began selling Marshall Amplification in 1959, making guitar amplifiers capable of warm colors and distorted "crunch" on Ng-rock musician really.
Stand-alone effect in the 1950's and early 60's that the unit VI GA Gibson and Fender vibrato reverb box, which is costly and impractical to require large transformers and high voltage. Stand-alone units Ahirnya more consumer demand, the effects are present together in an amplifier. The popular first stand-alone is Copicat 1958 Watkins, relatively portable tape echo effects by the popular British group The Shadows.
Electronic transistors can finally fill the creativity of the studio sound more simple pedal machine ultra-portable. Transistors replaced vacuum tubes, allowing a more compact size and stability. In the history of the transistor Tone Maestro first effect pedal fuzz guitar in 1962, the feeling after use in a 1965 Rolling Stones hit "(I can not Get No) Satisfaction" was.
Warwick Electronics wah the first McCoy, Clyde, 1967 and years to produce Roger Mayer published the first octave effect, Octavia, 1968, begins with the marketing Univox Uni-Vibe pedal, an effect of audio engineers, Fumio Miedes designed mimics the effect of phase shift and the choir odd Leslie rotating speaker used in the Hammond organ. Effects pedals soon a popular guitarist, Jimi Hendrix and Robin Trower. At the first hearing, Octavia, Hendrix would have rushed back into the studio and use it immediately with a guitar solo from "Purple Haze" and "Fire" record. In the mid-1970s, a variety of semiconductors, including Flanger effects pedals, chorus pedals, ring modulators and phase shifters were available.
In the 1980s, began rackmount units to replace numerically the effect of ground effects as the format of your choice. Often the musicians will be a "dry", following changes in the studio and the effects will be added post-production. The success of Nirvana in 1991 helped ignite interest Nevermind album pedal FX. Be conducted in the 1990s, musicians engaged in a "lo-fi" J Mascis aesthic like Dinosaur Jr., Pavement's Stephen Malkmus and Robert Pollard sound effects works with non-digital (analog) of the pedal effects.
Types of securitiesWhile there is currently no consensus on how to categorize the effects, here are six general classifications. Dynamic, time-based, get sound, filter, pitch / frequency and feedback / standing.
1.Dynamics
a. A vintage tremolo Guyatone VT2Increase Cleen / Volume Pedal: gusts CLEEN strengthen the instrument by increasing the volume of certain aspects of the output electrical signal. This unit is often used to "boost" the volume during a solo and prevent loss of signal in the "chain effect" used for long. A guitarist passes the guitar rhythm guitar, use a clear boost to increase the volume of his solo.
b. Effects Volume: MXR Micro Amp, Fender volume pedal.Preamplifier microphone: A microphone preamplifier or "preamp" is a device that increases the output voltage is a low microphone to some degree, and is used by devices such as mixers and headphones. Micro also offers some additional resources (eg, phantom power) for condenser microphones.
c. Compressor: Compressors stabilize the volume and softens the "attack" by removing the start of training and reinforcing effects to get erect. Compression is achieved by varying the thickness (ie, "gain) signal to ensure that the volume of the order of the specific dynamics are attained. Compressor can also function as a limiter for extreme settings of these controls.
d. Compressor Effects: Boss CS-3, Keeley Compressor MXR Dyna Comp.Tremolo: A tremolo effect produces variations, a little faster in the volume of the note or chord. Tremolo usually a "level" that the player can change the speed variation. "Tremolo" effect should not be confused with the "tremolo bar" name is misleading, a device on a bridge of guitar players can create the vibrato effect "pitch bend". Guitar intro to the Rolling Stones "Gimme Shelter" is a feature, tremolo effect.
E. Tremolo: Fender Tremolux, Roger Mayer Voodoo Vibe.
Second SoundA. Distortion and Overdrive: distortion and overdrive units distorts the sound of the instrument by a "tone" that sound "hot". To the sound of "dirty" or "grainy" sound, change the audio unit by redesigning the sound waves or "clipping" so they have a flat top of the mesa-like slightly curved. In a tube amp, the distortion created by the compression of the electrical signal of the instrument in the vacuum tube, or "gates." In digital cameras, this effect is transient or computer chip simulation. The distorting effects of different overdrive to produce about the same amount of distortion at any volume. Overdrive unit, produced on the other side "Cleen" low volume and the sound is distorted at high volumes.Distortion and Overdrive Effects: Boss DS-1 Boss MT-2 Metal Zone, Electro-Harmonix LPB-1, Ibanez Tube Screamer, Marshall Shredmaster, MXR Distortion +, Pro Co Rat.
b. Fuzz: A fuzz or "Fuzzbox" is a kind of overdrive pedal that attaches to the sound waves is almost square, causing a serious distortion or "fuzzy".The Rolling Stones "(I can not Get No) Satisfaction" greatly popularized the use of this fuzz effect.Fuzz Effects: Electro-Harmonix Big Muff, Arbiter Fuzz Face, Maestro Fuzz-Tone, Tone Bender Vox, Univox Super-Fuzz, Z. VEX Fuzz Factory.
c. Noise Gate Gate "buzz" cut "Hiss" and "static" by eliminating the noise below a certain threshold. This reduces noise and other sounds that are in the unit (the unit to the "lo-fi" is the opposite, adding noise, hiss and static) will. When used with extreme settings with reverb, is unusual noises, such as the effect was closed is to create pop songs used in the 1980s, popular in the style of Phil Collins song "In the Air Tonight"Lo-Fi Lo-Fi hiss mimics the effect of static, and the quality of the deep tone of vintage analog electronics
3.Filtera. Equalizer: EQ is a series of filters ("Boost") to strengthen or weaken ("cut") a certain frequency regions. Often have a stereo equalizer to adjust bass and treble engineers use sophisticated equalizer to eliminate unwanted noise in the instrument or voice is more important, and improving some aspects of the sound of an instrument.
b. Talk BoxesTalk boxes: a box talking heads the sound of the guitar or the synthesizer in the mouth of a player who can go to the sounds into vowels and consonants. Sounds of change is then picked up by microphones. In this way, the guitar is to "speak" of the situation. Some famous artists such as Bon Jovi use Talkbox "Living on a Prayer", Stevie Wonder, "Black Man" and Peter Frampton "Show Me the Way".Talk Box: Dunlop HT1 Heil Talk Box, Rocktron Banshee.
c. Wah: wah-wah pedal vocal sounds, for example by changing the frequency spectrum by the instrument, how difficult it is at all times in a separate frequency to create slide shows known as spectral. The device is a foot pedal to open and close you run the potentiometer. Wah guitar used by the funk and psychedelic rock.Wah: Dunlop Cry Baby Wah Morley Power Boost, Mu-Tron III musitronics, Z. VEX Seek Wah.
d. De-essing De-esser filter out high frequency sounds through the hissing consonants like "s", "z" and "sh" is generated to record the human voice.
Pitch / Frequencya. Chorus: Chorus pedal mimics the effect of "phase lock" of course, by the choir and string orchestra when its product line up with very little difference in tone and pitch of the other. An effect chorus divides the unit to an amplifier of electrical signals, a low frequency variation or "vibrato" for the signal while the rest do not change with the extreme setting. Chorus effect can produce a sound, "Spacey". Famous the use of "Spacey" is the guitar lead guitar lead in "Come As You Are" by Nirvana.Chorus: Boss CE-1 Chorus Ensemble, Electro-Harmonix Deluxe Memory Man, Electro-Harmonix Electric Mistress, Roger Mayer Voodoo Vibe, TC Electronic Stereo Chorus.
b. Flanger: flanger produces "jet" or "space", simulating the effects studios, produced by the edge of the drum audio tape ("lead") to temporarily slow down the recording. Flanger version adds variable delay to the original sound, creating a comb filter. Some use the flanger effects, including the famous "Walking on the Moon" by police and "Barracuda" by Heart. [58] [59]
Flanger Effects: Electro-Harmonix Electric Mistress, MXR Flanger.
c. Phase Shift: A phase shifter creates a small splash reinforcing effects of certain aspects of tones, while others are reduced. by sound waves out of phase to duplicate the original sound wave. The phase shift is popular in the 1970s, are two good examples of the keyboard to Billy, "Just The Way You Are" and Paul Simon's "Slip Slidin 'Away". [60]The Electro-Harmonix pedals PTA can not pass an input signal down an octave or an octave or two.
Phase shift effects: Electro-Harmonix Small Stone, MXR Phase 90, Phaser Roland AP-7 Jet.
d. Harmonizer and Pitch Shifter: A pitch shifter to increase or decrease (eg, "transposed"), each note of a player with a predetermined interval. For example, increasing pitch shifter with the fourth field of the four diatonic intervals above the actual notes played increase tone. Increase or decrease the tone pitch shifter to one or two octaves, while the more sophisticated devices that offer a variety of changes at the break.
e. shifter Harmonizer field is the type, height, height, containing the original is a harmony of two or more notes to create change. Some effects such as chorus hamonizers measure, by creating very small changes in height.Pitch Shift Effects: Electro-Harmonix POG, Digitech Whammy Roger Mayer Octavia.
f. Ring Modulator: ring modulator's output resonance / resonance of the metal by the waves generated by the mixture of the tool with the waves generated by the internal oscillator of the device generates signals to produce a rich sound. An important use of the ring modulator is a guitar in the song Black Sabbath "Paranoid".Ring-modulator effect: Moog MF-102 Moogerfooger.
g. vibrato: Vibrato effect produces variations of light and fast pitch, imitating the sound of the broken variant is produced naturally extend from the opera singer, violinist and now a note. Vibrato often allow players to the degree of variation and the differences in height (for example, "depth") to control. Vibrato in "depth" of the extreme (eg half a week / or more sounds) will produce the sound, dramatic ululations. Guitarists often use the term "vibrato" and "tremolo" is misleading. so-called "vibrato unit" in a guitar amp tremolo actually occur while creating the "tremolo arm" or "whammy bar" on the guitar vibrato.
h. Harmonic Exciter: A harmonic excitation or "Aural Exciter" or "psycho-acoustic excitation", adding subtle tones with upper midrange and treble [disambiguation needed] Part of her. Harmonic Exciter most commonly used in post-production stages of recording, or by a vowel or with the whole song. This effect has been developed in the mid-1970s to increase the "brightness" reel to reel recording, clarity compression or repeated overdubs lost.
Time-based
Fold lines buzzing device that uses springs.a. Delay / Echo: Delay / Echo unit produces an echo effect by creating a double electric instrument signal amplifier to the original signal within a short time. The effect could be a "slap" or "slap" or echo. User ", where the streets have no name." [66]Delay Effects: Boss DM-2 Delay, Boss DD-3 Digital Delay, Electro-Harmonix 16 Second Digital Delay, Electro-Harmonix Memory Man, Line 6 DL4 Delay Modeler MXR Carbon Copy.
b. Reverb: Simulates the sound in space through the creation of a large number of echoes of echoes, which gradually fade or "decline" is generated. A plate reverb system uses an electromechanical transducer to create a vibration in a plate reverb. Spring Reverb system, which is often used in guitar amplifiers use a sensor to a vibration in the spring (spring noise) to create. Reverb algorithms with digital signal processing to produce a variety of reverb effects often associated with delay circuits comments. Rockabilly and surf guitar are two kinds, the use of reverb. [67]
Reverb: Reverb Unit Fender.
c. Looper Pedals: Looper pedal or "Phrase Looper" allows players to capture and pause or play a song. Loops can be created during the show or they can be pre-registered. On some units, the player in a loop a few times. The first loop effects are created with the tape reel to reel tape with a loop. Effects of high-end store loop tapes are still a number of studios, used meinginkan vintage sound. Digital Loop to create effects in this direction with the help of an electronic memory.Effect Looper Boss Loop Station Pedal RC20XL, Line 6 DL4 Delay Modeler Pedal and Loop Sampler.EBow allows a guitarist to keep notes.
Comments / sustaina. Audio comments: Your comments are the sound effects produced when its profits were picked up and reproduced by the microphone amplifier, creating a "feedback loop". Reaction pioneering work of guitarists like Jimi Hendrix, is produced by the instruments in front of the amplifier, set the volume too high. The technology is relatively primitive tendency to make high-pitched sound and can be difficult dipertahankan.s
b. The EBow, Pick Pocket strings / drivers to vibrate with a small induction chains guitar battery, which are sounding durable. Tools such as resonator guitar, Sustainer and Provider Sustainiac Fernandes vibrating electrically generated comments ("drive") gitarbernada chain while minimizing the higher the tone and the sound itself.
Many compressor pedal is often referred to as "Sustainer Pedals" As a note, which is maintained, loss of energy and volume as it sells the reduction of vibrations in the string. Compressor pedal to increase the range of the electrical signal dynamic defined, easy to extend the term of the note.
Other effectsa. Simulator: Simulators provide an electric guitar to imitate the sound of other instruments such as acoustic guitar, electric bass and sitar. The simulators are used to make a guitar with single coil pickup sounds mimic humbucker guitar with a pick-up-versa, or vice. A de-Fretter is an effect that simulates the sound of fretless bass. The effect of the voltage amplifier and envelope controlled filter is too "soft" attack a note, both in volume and timbre.
b. Envelope Follower: An envelope follower can be made once the designated band. An effect with envelope follower is "auto-wah," the effect of "wow" produced depending on how hard or soft you play notes.
c. Guitar Amp Modeling: Modeling an amplifying effect that the range of digital audio amplifiers, the most common analog "tube" amp is modeled. sophisticated simulation modeling of the effects of speaker and microphone techniques. Simulator rotary speaker sound system mimics the Doppler volume by replicating vintage Leslie speaker and modulation of pitch, the ability to overdrive and phase shift.
d. Pitch Correction / voice effects: both effects Pitch Correction Correction / field with signal processing algorithms-tune-intonation of the correction of errors in the singing performance.
e. filters and effects, synthesizers: Moog MF-105 Moogerfooger pedals as MURF provides some of the filters and buttons to control the modulation envelope. The MF-107 uses FreqBox the input signal to a set internal VCO.
Pedal Shopa. Brand T-Rex pedal "Mudhoney" OverdriveDesigned with boutique pedals independent small business and is usually produced in small quantities. Some have even possible by hand. Pedal is distributed primarily online or by mail order or sold in music stores, often more expensive than mass produced pedals and offer non-standard features such as true bypass switching, high-quality components, design innovative and are hand-painted work of art. Some companies store focused on leisure classic and vintage effects.Some manufacturers of boutique pedals include: AnalogMan, Devi Ever, Pete Cornish, Lovetone, Metasonix, Robert Keeley, Z. VEX effects, the T-Rex Engineering.
b. Device effect modificationThere is also a niche for modifying or "modding" effect. Generally, vendors provide both custom modification services or sells new stompbox effects, which are the Ibanez Tube Screamer, Boss DS-1 have changed, the effects DigiTech Whammy ProCo Rat and change some of the most common. General Modifikai include changes in the value of the capacitor or a resistor, adding a true bypass circuit for the effect of replacement are no longer in the signal path, the high quality components, instead of 'original unity of the operational amplifiers (op amps), or add They add functionality, such as equipment or adding additional control of an additional output.Tributes by musiciansThe garage rock cover band The Fuzztones, seen here at a concert in Barcelona, a name (leaves) has, after a member fuzz effect until 1960 - at a time when the Fuzz (The Fuzztones) .
Effects and effects processors, pedals in particular. He was full of pop and rock musicians in the album title, song name and band life. The Electro-Harmonix Big Muff classic Fuzzbox be established, with the song "Big Muff" and the EP Superfuzz bigmuff Mudhoney said.Words (text) for the Super Furry Animals "Play It Cool" Electro-Harmonix pedals, while others remain silent. The Electric Mistress Flanger. The Nine Inch Nails song "Echoplex" is, after the old songs Maestro unt.lagu echoes others that have references to the effect of "Interstellar Overdrive" by Pink Floyd, "Wah-Wah" by George Harrison includes the title and "Stomp Box" They Might Be Giants. Joy Division "Digital" was inspired by Hannett engineer / producer Martin, AMS digital delay unit. We have a Fuzzbox and we're going to use was an all-female British group since the 1980s and the Fuzztones are a garage rock band 1980
c. Other pedals rack unitsNot all database tables and effects pedals. Tuning a guitar pedal indicates whether the string is too high or too low. Fußschalterpedals as a guitar pedal routes the signal "A / B" to the amplifier or allow players to switch between two guitars. Guitar amplifiers and electronic keyboard allows you to change the power over life and death on the integrated effects with the footswitch. Some of the musicians who employs a rack or stompbox effects of the mobile MIDI controller sampled sounds, or between different effects, the effect of setting the timer.
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